E. B. White, Garth Williams & Rosemary Wells Now available for the first time as an ebook! Illustrations in this ebook appear in vibrant full color on a full-color device and in rich black-and-white on all other devices.
This beloved book by E. B. White, author of Stuart Little and The Trumpet of the Swan, is a classic of children’s literature that is “just about perfect.”
Some Pig. Humble. Radiant. These are the words in Charlotte’s web, high up in Zuckerman’s barn. Charlotte’s spiderweb tells of her feelings for a little pig named Wilbur, who simply wants a friend. They also express the love of a girl named Fern, who saved Wilbur’s life when he was born the runt of his litter.
E. B. White's Newbery Honor Book is a tender novel of friendship, family, and adventure that will continue to be enjoyed by generations to come. It contains beautiful, classic illustrations by Garth Williams, the acclaimed illustrator of E. B. White's Stuart Little and Laura Ingalls Wilder's Little House series, among many other books.
Correlates to the Common Core State Standards in English Language Arts
E. B. White, Garth Williams & Rosemary Wells Now available for the first time as an ebook! Illustrations in this ebook appear in vibrant full color on a full-color device and in rich black-and-white on all other devices.
This beloved book by E. B. White, author of Charlotte’s Web and The Trumpet of the Swan, is a classic of children's literature that features a very small mouse on a very big adventure.
Stuart Little is no ordinary mouse. Born to a family of humans, he lives in New York City with his family. But when Stuart’s best friend goes missing, he’s determined to leave home and take an epic journey to find his friend.
E. B. White's classic book is a tender novel of friendship, family, and adventure that will continue to be enjoyed by generations to come. It contains beautiful illustrations by Garth Williams, the acclaimed illustrator of E. B. White's Charlotte’s Web and Laura Ingalls Wilder's Little House series, among many other books.
Correlates to the Common Core State Standards in English Language Arts
E. B. White & Fred Marcellino Now available for the first time as an ebook! Illustrations in this ebook appear in vibrant full color on a full-color device and in rich black-and-white on all other devices.
This beloved book by E. B. White, author of Charlotte's Web and Stuart Little, is a classic of children's literature that perfectly describes what it's like to march to the beat of your own drummer.
Louis is a trumpeter swan, but unlike the rest of his family, he can't make a sound. And since he can't trumpet his love, the beautiful swan Serena pays no attention to him. But when his father steals him a real brass trumpet, Louis has to find out if it's the key to what he's wanted all along.
E. B. White's classic book is a tender novel of overcoming the odds and learning to do things on your own terms. It will continue to be enjoyed by generations to come. It contains evocative illustrations by Fred Marcellino, the acclaimed illustrator of Puss in Boots and I, Crocodile, among many other books.
Correlates to the Common Core State Standards in English Language Arts
The New Yorker, John Updike, E. B. White, Sally Benson & S.J. Perelman From the pages of America’s most influential magazine come eight decades of holiday cheer—plus the occasional comical coal in the stocking—in one incomparable collection. Sublime and ridiculous, sentimental and searing, Christmas at The New Yorker is a gift of great writing and drawing by literary legends and laugh-out-loud cartoonists.
Here are seasonal stories, poems, memoirs, and more, including such classics as John Cheever’s 1949 story “Christmas Is a Sad Season for the Poor,” about an elevator operator in a Park Avenue apartment building who experiences the fickle power of charity; John Updike’s “The Carol Sing,” in which a group of small-town carolers remember an exceptionally enthusiastic fellow singer (“How he would jubilate, how he would God-rest those merry gentlemen, how he would boom out when the male voices became King Wenceslas”); and Richard Ford’s acerbic and elegiac 1998 story “Crèche,” in which an unmarried Hollywood lawyer spends an unsettling holiday with her sister’ s estranged husband and kids.
Here, too, are S. J. Perelman’s 1936 “Waiting for Santy,” a playlet in the style of Clifford Odets labor drama (the setting: “The sweatshop of Santa Claus, North Pole”), and Vladimir Nabokov’s heartbreaking 1975 story “Christ-mas,” in which a father grieving for his lost son in a world “ghastly with sadness” sees a tiny miracle on Christmas Eve.
And it wouldn’t be Christmas—or The New Yorker—without dozens of covers and cartoons by Addams, Arno, Chast, and others, or the mischievous verse of Roger Angell, Calvin Trillin, and Ogden Nash (“Do you know Mrs. Millard Fillmore Revere?/On her calendar, Christmas comes three hundred and sixty-five times a year”).
From Jazz Age to New Age, E. B. White to Garrison Keillor, these works represent eighty years of wonderful keepsakes for Christmas, from The New Yorker to you.
E. B. White & Roger Angell In the summer of 1948, E.B. White sat in a New York City hotel room and, sweltering in the heat, wrote a remarkable pristine essay, Here is New York. Perceptive, funny, and nostalgic, the author’s stroll around Manhattan—with the reader arm-in-arm—remains the quintessential love letter to the city, written by one of America’s foremost literary figures. Here is New York has been chosen by The New York Times as one of the ten best books ever written about the city. The New Yorker calls it “the wittiest essay, and one of the most perceptive, ever done on the city.”
E. B. White Letters of E. B. White touches on a wide variety of subjects, including the New Yorker editor who became the author's wife; their dachshund, Fred, with his "look of fake respectability"; and White's contemporaries, from Harold Ross and James Thurber to Groucho Marx and John Updike and, later, Senator Edmund S. Muskie and Garrison Keillor. Updated with newly released letters from 1976 to 1985, additional photographs, and a new foreword by John Updike, this unparalleled collection of letters from one of America's favorite essayists, poets, and storytellers now spans nearly a century, from 1908 to 1985.
Lillian Ross, David Remnick, E. B. White, James Thurber & John Updike William Shawn once called The Talk of the Town the soul of the magazine. The section began in the first issue, in 1925. But it wasn't until a couple of years later, when E. B. White and James Thurber arrived, that the Talk of the Town story became what it is today: a precise piece of journalism that always gets the story and has a little fun along the way.
The Fun of It is the first anthology of Talk pieces that spans the magazine's life. Edited by Lillian Ross, the longtime Talk reporter and New Yorker staff writer, the book brings together pieces by the section's most original writers. Only in a collection of Talk stories will you find E. B. White visiting a potter's field; James Thurber following Gertrude Stein at Brentano's; Geoffrey Hellman with Cole Porter at the Waldorf Towers; A. J. Liebling on a book tour with Albert Camus; Maeve Brennan ventriloquizing the long-winded lady; John Updike navigating the passageways of midtown; Calvin Trillin marching on Washington in 1963; Jacqueline Onassis chatting with Cornell Capa; Ian Frazier at the Monster Truck and Mud Bog Fall Nationals; John McPhee in virgin forest; Mark Singer with sixth-graders adopting Hudson River striped bass; Adam Gopnik in Flatbush visiting the ìgrandest theatre devoted exclusively to the movies; Hendrik Hertzberg pinning down a Sulzberger on how the Times got colorized; George Plimpton on the tennis court with Boris Yeltsin; and Lillian Ross reporting good little stories for more than forty-five years. They and dozens of other Talk contributors provide an entertaining tour of the most famous section of the most famous magazine in the world.
E. B. White The author of Charlotte’s Web and One Man’s Meat, coauthor of The Elements of Style, and columnist for The New Yorker for almost half a century, E. B. White (1899-1985) is an American literary icon. Over the course of his career, White inspired generations of writers and readers with his essays (both serious and humorous), children’s literature, and stylistic guidance.
In the Words of E. B. White offers readers a delightful selection of quotations, selected and annotated by his granddaughter and literary executor, Martha White. The quotations cover a wide range of subjects and situations, from Automobiles, Babies, Bees, City Life, and College to Spiders, Taxes, Weather, Work, and Worry. E. B. White comments on writing for children, how to tell a major poet from a minor one, and what to do when one becomes hopelessly mired in a sentence. White was apt to address the subject of security by speaking first about a Ferris wheel at the local county fair, or the subject of democracy from the perspective of roofing his barn and looking out across the bay-he had a gift for bringing the abstract firmly into the realm of the everyday. Included here are gems from White’s books and essay collections, as well as bits from both published and unpublished letters and journals.
This is a book for readers and writers, for those who know E. B. White from his “Notes and Comment” column in The New Yorker, have turned to The Elements of Style for help in crafting a polished sentence, or have loved a spider’s assessment of Wilbur as “Some Pig.” This distillation of the wit, style, and humanity of one of America’s most distinguished essayists of the twentieth century will be a welcome addition to any reader’s bookshelf.
Katherine S. White & E. B. White In 1925 Harold Ross hired Katharine Sergeant Angell as a manuscript reader for The New Yorker. Within months she became the magazine’s first fiction editor, discovering and championing the work of Vladimir Nabokov, John Updike, James Thurber, Marianne Moore, and her husband-to-be, E. B. White, among others. After years of cultivating fiction, White set her sights on a new genre: garden writing. On March 1, 1958, The New Yorker ran a column entitled “Onward and Upward in the Garden,” a critical review of garden catalogs, in which White extolled the writings of “seedmen and nurserymen,” those unsung authors who produced her “favorite reading matter.” Thirteen more columns followed, exploring the history and literature of gardens, flower arranging, herbalists, and developments in gardening. Two years after her death in 1977, E. B. White collected and published the series, with a fond introduction. The result is this sharp-eyed appreciation of the green world of growing things, of the aesthetic pleasures of gardens and garden writing, and of the dreams that gardens inspire.
Don Marquis & E. B. White A selection of the best of the hilarious free-verse poems by the irreverent cockroach poet Archy and his alley-cat pal Mehitabel.
Don Marquis’s famous fictional insect appeared in his newspaper columns from 1916 into the 1930s, and he has delighted generations of readers ever since. A poet in a former life, Archy was reincarnated as a bug who expresses himself by diving headfirst onto a typewriter. His sidekick Mehitabel is a streetwise feline who claims to have been Cleopatra in a previous life. As E. B. White wrote in his now-classic introduction, the Archy poems “contain cosmic reverberations along with high comedy” and have “the jewel-like perfection of poetry.”
Adorned with George Herriman’s whimsical illustrations and including White’s introduction, our Pocket Poets selection—the only hardcover Archy and Mehitabel in print—is a beautiful volume, and perfectly sized for its tiny hero.
